(L-R)Maria Bakalova, Amandla Stenberg, Myha’la Herrold, Rachel SennottCredit: Gwen Capistran Thanks to such high-minded hair-raisers such as Hereditary, The Witch, and Under the Skin, few …
REVIEW: Carter (2022) dir. Jeong Byeong-Gil
CARTER Cr. Son Ik-chung/Netflix © 2022 The common refrain to identify relentlessly visceral action movies as a “roller coaster ride” misses what makes roller coasters …
A Conversation with Dan O’Day of The River City Rebels
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New hip-hop musical examines why oppression “just keeps happening”
All photos courtesy of Come To Pass The Musical What does it mean to reconcile the past and the present? Come to Pass is a …
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REVIEW: Sharp Stick (2022) dir. Lena Dunham
For better or worse, I can give approximate recitations of Lena Dunham’s public apologies from memory. Her quick turnaround from seemingly reflective statements is, on …
REVIEW: Luck (2022) dir. Peggy Holmes
The last three films I watched, in order, would be Bullet Train (2022), Final Destination (2000), and Luck (2022). By happy coincidence, all three concern …
Displacing the displaced
Her Royal Highness Princess Lalla Nuzha of Morocco, on her wedding day (1964). As I take a picture of Revere’s gritty, faded Ocean Plaza storefront, …
REVIEW: Prey (2022) dir. Dan Trachtenberg
Amber Midthunder as Naru and Dane DiLiegro as the Predator in 20th Century Studios’ PREY, exclusively on Hulu. Photo by David Bukach. © 2022 20th …