WENDELL & WILD – (L-R) Wendell (voiced by Keegan-Michael Key) and Wild (voiced by Jordan Peele). Cr: Netflix © 2022 Henry Selick hasn’t made a …
REVIEW: The Good Nurse (2022) dir. Tobias Lindholm
Roughly speaking, there are two types of Netflix original film. The first are the Oscar swings, idiosyncratic films made by big-name auteurs drawn by the …
Introducing Crown Point’s Walnut Cabinet Interiors
When Crown Point opened in 1979, they set the gold standard for custom cabinetry. Today, they continue to surprise and delight, delivering exciting new details …
WENT THERE: The African Desperate (2022) dir. Martine Syms
DIAMOND STINGILY AS PALACE Having Martine Syms navigate us through the world of fine arts in academia is like having Virgil as a guide — …
BAAFF INTERVIEW: “Golden Delicious” director Jason Karman
L TO R: DIRECTOR JASON KARMAN, CARDI WONG (JAKE), AND PARMISS SEHAT (VALERIE). PHOTO CREDIT: SYD WONG In watching pieces from this year’s BAAFF lineup, …
REVIEW: One Piece Film: Red (2022) dir. Goro Taniguchi
We are twenty-five years into the saga known as One Piece, a manga series created by Eiichiro Oda about a stretchy pirate which released its …
BPFF DISPATCH: HUSH (2022) dir. Samar Qupty / SALMA’S HOME (2022) dir. Hanadi Elyan
One doesn’t expect to go into a screening of two small-budget Palestinian dramas and to come out hating Disney and Netflix even more… but what …
BAAFF Interview: “Dawning” director Young Min Kim
L TO R: COMPOSER ALEX WINKLER, DIRECTOR/WRITER YOUNG MIN KIM, SOUND DESIGNER CHRISTINA GONZALEZ DAWNING is about trauma, a common thread in recent popular thrillers. …
REVIEW: Decision to Leave (2022) by Park Chan-wook
Park Chan-wook has never been a man whose works shied away from Hitchcock’s influence. After thirty even years of filmmaking, Park still is able to …
Wicker is Making a Wicked Comeback
Wicker has been around for centuries, and even though it is trending now, it truly has a timeless appeal. More and more, we are seeing …